... Auden to a number of poets including Robert Frost , who had an impact on Auden . Another appeal of Come Hither was that de la Mare mixed in the serious with the light and humorous , and Auden thereafter believed that he should do so as ...
Enlivened by primary sources and an unforgettable story, this tale of daily life at the most fertile and improbable live-in salon of the twentieth century comes from the acclaimed author of Inside the Dream Palace: The Life and Times of New ...
' John Bayley, The Listener 'an illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet's life and work' Frank Kermode, Guardian 'sharpens and usually lights up ...
... W. H. Auden , Tolkien suggests that his own earliest work in writing alliterative poetry was an attempt to unify the ... in Author of the 6. Any attempt at a quick answer to this question 118 THE LITERATURE OF FAERIE AND THE ROOTS ...
... W.H. Auden, “In Memory of W.B. Yeats” My reader will note the hole I leave open immediately above: what if we are ... in author's intention as a special mode of knowledge, one and simple, which it should be clear I do not, it is ...
... W.H. Auden museums in Austria. Author museums within dominant, national traditions may actively focus on ... in author museums and in museums of literature, show how slight changes in design Introduction 23.
... W.H. Auden added , " defiantly chosen " so that eventually it " can no longer imagine anything but itself " ( qtd . in Author 231 ) . While the First World War led the parties involved in the Second to conceal their brutalities the more ...
... W.H. Auden , Tennessee Williams , Truman Capote , Paul Bowles , Gore Vidal , James Baldwin , William Burroughs ... in Author's mind into the Show Business story of the ventriloquist's dummy who " takes over " the brain of the ...
This book offers a detailed history and interpretation of Auden’s oeuvre, spanning the duration of his career from juvenilia to his final works in poetry as well as theatre, film, radio, opera, essays, and lectures.
Lecture notes from Alan Ansen, later Auden's secretary and friend, from Auden's course taught during 1946-1947 at the New School for Social Research form the basis for this work on Auden's interpretation of all of the Shakespeare's plays.