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inauthor:"Hugh Grady" from books.google.com
Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor.
inauthor:"Hugh Grady" from books.google.com
Hugh Grady argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era, that the broad analysis of modernity produced by Marx, Horkheimer and Adorno, Foucault, and others ...
inauthor:"Hugh Grady" from books.google.com
Shakespeare was fascinated by power throughout his career but also understood its dangers and limits. Utopian visions were his solution.
inauthor:"Hugh Grady" from books.google.com
Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.
inauthor:"Hugh Grady" from books.google.com
In this critical study, Grady charts the construction of Shakespeare as a twentieth-century text, redirecting "new historicist" methods to an investigation of the social roots of contemporary Shakespeare criticism.
inauthor:"Hugh Grady" from books.google.com
The book argues that such social-minded 'impure aesthetics' can revitalize the political impulses of the new historicism while opening up a new aesthetic dimension in the current discussion of Shakespeare.
inauthor:"Hugh Grady" from books.google.com
The approaches to aesthetic thought included in this volume explore the intersections between the literary work and the full range of concerns animating the field today: political philosophy, affect theory, and ecocritical analysis of ...
inauthor:"Hugh Grady" from books.google.com
This in-depth collection of essays traces the changing reception of Shakespeare over the past four hundred years, during which time Shakespeare has variously been seen as the last great exponent of pre-modern Western culture, a crucial ...
inauthor:"Hugh Grady" from books.google.com
Hugh Grady argues that in analysing modern subjectivity Shakespeare re-produced not the ideas of Machiavelli, but those of Michel de Montaigne, that Renaissance definer of shifting identities and subjectivities and of complexly formed, ...